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Silence
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SILENCE
By Jeff Munnis
© 2014 Jeff Munnis
www.jeffmunnis.com
www.rockethouse.co
To Stelli
TABLE OF CONTENTS
CHARACTERS
(where to begin)
(the glisten of the waves)
(crushed fruit)
(the hide of elephants)
(a metal drawer)
(confession)
(smell)
(all wind brushed away)
(parallel)
(papers)
(plans)
(a midnight visit)
(silence)
(citrus and lumber)
(24 hour)
(the empty seat)
(dead eyes)
(dare)
(Christmas morning)
(not being)
(fish oil)
(bone rattling sharp)
(white sand traps)
(the last detail)
(bottom mud)
(the scar)
(tied perfectly)
(my eyes my ears)
(two boys)
(glass)
(dreams of his mother)
(cut feet)
(a dead bird dream)
(something real)
(a place in the world)
(inside out)
(a dry soft wind)
(curious progression)
(damn polite)
(being social)
(something sour)
(bottom of the trunk)
(stretching skin)
(numb hands)
(into the mud)
(the island mud)
(until now)
CHARACTERS
Brian Simmons - the narrator
Alan Simmons - Brian’s father
Sarah - Julia’s mother
Julia - Brian’s illegitimate half-sister
Claire Simmons - Brian’s mother
Henry - Julia’s stepfather
Frank Simmons - Brian’s brother
William Simmons - Brian’s paternal grandfather
Harriet - midwife who delivered Brian and Julia
Mary Lee Simmons - Brian’s paternal grandmother
Donna - Alan’s assistant
Michael & Eddie - Donna’s friends
Note: To keep the line breaks intended by the author, adjust the font size on your e-book reader so the entire sentence below fits one one line:
I feared one lapse of judgment for him would create a life with only foolish choices
(where to begin)
There is always the question of where to begin a story
even one’s own story
In dreams we find ourselves in situations without knowing how we arrived
In our waking life we know we had a beginning called birth
but who can recall those moments in the womb and immediately after
We know we will have death
With the passage of time
I have come to realize my memory is distorted
What was eye level to my senses
I now see was below me
I simply remember in ways to protect the memory I have
to protect my understanding of myself
And there are parts of the story that have been given to me
by other people
They remember something different
always something different
I turn away from them
I know there are undisputed facts but I cannot provide them
I can only give you my interior memory
with all of its faults and fantasy intertwined
There is the world outside my skin and the world inside of me
that longs to come out
(the glisten of the waves)
I cannot remember how old I was
when I first saw the Indian River at night
just the ride in the car coming home from Titusville Beach
late in the summer
We stayed late to build a fire and cook
The only time I remember being at the beach with Alan
The skin on his legs was so white it hurt to look at him
In the dark I had been afraid
that something would come out of the water after me
I leaned out of the window and closed my eyes
wanted to keep my eyes closed until we were home
but the air changed and I opened them
just as we came to the River
The long silver glistening patch of water lit by the moon
I floated out over the water
looked up at a million stars
When the tires hit the bridge the water disappeared
the air became cool
and the stars suddenly came into focus
distant and clear
From that moment I wanted to get lost in the blur of light
return to the river at night
to see the glisten of the waves
(crushed fruit)
I was five years old when Sarah found me with Julia
under her wood-frame house naked
Floor joists hovered over the sand
floated next to waves of tall grass
Julia and I were coated with soil
the creases of our elbows black with grit
Julia’s skin like copper paint
My body dead skin with white and gray bruises
We crawled out and stood together holding hands
defiant
scared
My father asked me to get my clothes
but I stood stared back
my lips trembled
tears filled my eyes
He got down on his hands and knees
reached under the house brought out my clothes
One shoe was missing
Cobwebs covered his neck and the back of his shirt
He took me by the hand and started to walk away
but Julia would not let go until he yanked our hands apart
White eyes black faces
women with folded arms
men leaning over backs bent
white t-shirts
suspenders
old green army uniforms
the best shoes in boxes in the closet
shined with thin leather laces stiff and hard to tie
They had let me inside their home
I started crying and he put my pants on over the dirt
Then he walked me to the car
put me in the back seat
and drove down a dirt road deeper into the orange groves
Smudge pots filled with diesel fuel
stacks of old tires ready to light
Everything waited for the temperature to reach dew point
He stopped
the dust from the road floated by the car window in a cloud
I stared at the back of the front seat
He pulled me out and walked me over to an orange tree
Diesel fumes and insecticide mingled with the smell of crushed fruit
He told me to raise my arms and hold on
His jaws shut tight
cheeks bulged
He pulled my pants down just enough
I mumbled
started to cry when he took off his belt
The biting slap of the lashes surprised me
I lunged forward into the branches to hold on
Oil on the tree leaves glistened in the heat and light
My hands slipped off and I fell into the sand
In each fist a few crumpled leaves
Pungent odors of the orange trees filled my nose
(the hide of elephants)
In stillness a blanket of cold air hovers over the orange trees
after a cloudless day
I could feel it slide under the warm air at the surface
the canopy of leaves holding down the heat released by the soil
I watched from the car as someone shot a flare
truck lights flashed
Black arms gray from sand and smoke
like the hide of elephants
Torches made with rags soaked in diesel fuel
were carried deep into the groves
The tires and the smudge pots lit to save the fruit from freezing
Some trees heavy with insecticide and oil caught fire
Against the light in the sky we saw the charred skeletons of branches
the ground covered with hollow dried out oranges
We drove east of Mims to the river
Red-tailed hawks circled
confused by the orange firelight
the plumes of smoke in the dark
The car lights exposed Kingfishers crowded into the branches of scrub oaks
Field rats ran from under the trees into ditches
and the carcasses of last summer’s orange and black banana spiders dropped
from webs heavy with soot and dust
their egg sacs scattered over the ground
almost hidden by the extraordinary work of darkness
The musky smell of humid air
alternate waves of green
silver leaves above brown filaments of grass
a blend of wet and warm
The weight of our car pushed black organic liquid out from under grass
into tire tracks
We traveled just fast enough to slide into a green parking space
Behind us a wood building tha
t appeared like a train station
Gray slat benches and long wide tables
evenly spaced boards
chipped
worn
cut by oyster shells steamed and dumped out of wire baskets
We sat down in the long rows
knives gloves tin plates horseradish ketchup tartar sauce forks lemons
to a cornucopia of river food
oysters shrimp mullet crab tangled in sea grass and weed
burned barnacles catfish bits of wood scooped out of the fire
ears of corn in aluminum foil tassels singed black
I sat full of liquid
tears and pee
waited for something
to tell me
someone to explain the fish eyes
the cooked odor of the river’s insides
poured out and dripping
through rusted nail holes onto my pants and shoes
(a metal drawer)
I stood on the couch between Alan and Claire
and pulled their faces toward mine
to make all our lips touch
Claire and I always fell toward Alan to make it work
He would sit with his shoulders square to the back of the couch
and push me back into Claire’s arms
I stopped
and then I began to circle him
I walked behind his chairs
outside his reach
not to find my way in
but to imagine his discomfort
to defend myself against his movement
to suck the security out of everyone around him
He made fools of people that wanted his money
they were children